Monday, March 22, 2010

फुनेरल इन थे मिर्रोर स्कोर किलर Review

Here with very little fanfare is a great review of what I truly feel is HIH's most marketable release:

Funeral in the Mirror, Old Wolf Thoughts

March 19, 2010 | by Skope Staff

Get ready for electro-rock madness on Old Wolf Thoughts. Funeral in the Mirror is a duo made up of Joe DeRosa and James Pinkstone. This record is a true collaboration between DeRosa and Pinkstone as they shared all musical responsibilities. The two artists came up with the beats, guitar parts, vocals and lyrics. It was a complete joint effort on the part of Joe and James as they unite to bring you one eclectic set.

An interesting fact about DeRosa is that he is actually an accomplished stand-up comedian. He has had thousands of performances all over the U.S. and Joe has also appeared on “Comedy Central Presents”, HBO, Fox News and NBC among others. He even has a debut comedy album coming out soon on Comedy Central Records. So…Joe DeRosa has proven that he is a funny man, but now tries to tackle being a not-so-humorous, serious musician as well. Balancing the two acts should be no problem for this multi-dimensional artist.

The band is named after a line in a Leonard Cohen song, “Dress Rehearsal Rag” and also is a reference to Shudder To Think’s 1991 album Funeral At The Movies. The title is as creatively diverse as the music itself on Old Wolf Thoughts. My favorite part about this new project is the fact that Funeral in the Mirror are messing with sound in ridiculous fashion. The electronic drum beats, which is the core of it all adds in perfectly with all the instrumental effects. When listening to this CD, I feel like I’m surrounded by so much full sound and cool, digital sensations are kicking in from all directions. The use of audio & technology is quite impressive here as Funeral in the Mirror stand true to their title of “computer rock duo”. From a sound standpoint, the record oozes with originality & creativity.

Right from the start on track two, “On Your Way To Hell”, I can’t help but say to myself ‘now we’re talkin’ with electro rock at its finest baby!’. On song seven, “Valentine”, you get a hip ‘n’ moving jam with an all-around nice feel. On “DeEvolution March”, Joe and James get a little psychedelic with a trippy & hypnotic demeanor. I do have some drawbacks though and it has to do with the vocal approach/style meshing with the overall sound. At times, everything jived perfectly like on track eight, “The Chest” that just worked well from all angles. Other times, however, I wasn’t hearing the connection due to a strange singing approach and a definite out-of-the-norm style on tracks such as: “I Feel It” and “Ethel”. I, myself, was completely in tune and digging their music at times but other instances I was honestly a bit lost & confused.

In the end, I think this group is highly talented and have a knack with beats and electronica mojo. The disc even had techno-ish/pop sensibilities that further added to their diversity of sound mixing. Audibly, Joe DeRosa and James Pinkstone nailed it in flawless fashion. As far as the singing parts go, I wasn’t completely sold on all of the vocal sections. Truthfully, I would have loved an album just full of nothing but digital creations; an explosion of sound if you will. I will be highly interested to see where DeRosa and Pinkstone go next as far as taking their music to the next level. For more on Funeral in the Mirror and their new release, Old Wolf Thoughts, SKOPE out www.funeralinthemirror.com.


I agree with every opinion stated in the review -- and the facts are right too!

Wednesday, March 3, 2010

Looks like the weather might actually cooperate with Thee Nosebleeds' plan to have their self-titled debut album mixed tomorrow night by Mike Bardzik at Second Story Sound Studios in the warehouse district of lovely West Chester, Pa. Mike will pick me up at around 6 pm and we'll meet the band in the studio's parking lot. This is how we did it for the tracking session a couple Saturdays ago. I know Kit, Kevin and Zach quite well -- they are my bandmates in Headflap. Kit, Kevin, Mike and I go back further than that. Zach is over 10 years younger than we four are, hovering around and leaving our mid- thirties. Me leading the way. Funny thing about me leading any group of individuals is I am legally blind and have done less what you might call living than the average American 19 year old.

The tracking session was a blast to be present at and participate in. For this project, I am just the executive producer, the main money man; this is the first HiH release other than my own bands' albums, for which the label paid to record it and we are not certain if this will happen again; my creative input was minute -- I had intended it to be nil. But hey put me in front of a microphone even if all you want me to do is participate in a group chant, and my nonconformist genes will find a way to bark out a commentary against male mob mentality during the fadeout.
I wonder if Mike's gonna apply a fadeout at the end of this record?

I think there is no more fitting a release to kick off the HumaninHuman blog than catalog number hi022DSd, Kermit Lyman's latest masterpiece, Thee Nosebleeds by Thee Nosebleeds.

Tuesday, November 11, 2008

origins

pretty plain now innit?
it'll grow. it'll grow on ya.